The final film in The Trilogy of the Sacred and the Satanic, Atman is a spectacular epic across India, all documented on stunning 35mm. When his mother dies, a devout Hindu man named Jamana Lal begins a 3,000-mile journey in her honor. The destination is the holy city of Haridwar, but to get there, Lal, a 35-year-old whose legs have been paralyzed since childhood, must travel up the Ganges River. He is joined by his brother and his wife as well as by director Pirjo Honkasalo and her small, intrepid crew. Midway through, a miracle occurs, as Lal crosses paths with a kindhearted woman named Shanta. Atman blossoms into a love story for the ages.

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.